In his painting masterpiece, uses light to create drama and emphasis, as well as to unify a complex space, especially taking into account two additional light sources in the painting at the rear of the space within the painting. what could have been a very disorderly scene has been pulled together by the device of spotlighting, much as a designer of stage lighting would control what the audience sees.

James Boswell has generally been regarded as a key figure in the evolution of the biography

via his work on Samuel Johnson. Ranging over his public, published writing, his private-public

unpublished journal writing (read by his friend John Johnston), and his private-private

unpublished writing (his personal journals) this thesis sets out to address how he should also

be seen as a travelogue writer of note. The most important contention is that the rise of Boswell

as a travel writer is key to understanding his prowess as an auto/biographical writer – with the

topography of the man-monument central. The principal aim is to stress that he was ‘Corsica

Boswell’ long before he was ‘Johnson Boswell’. there you go!

it's all focused on the way you angle and put all of these this in pespective. say you wanted you artwork to be famous, you would want to align and put all of these into grasp. the imagery give off a good descriptive matter. proportion is aligned with the color and mood. balance is how you place everything and if there is too much or too little of. design is the main thing if you want your art to be amazing

virtual smiles! : )

~mqddie