Dr. linda nochlin contributed to the field of art history by researching and promoting the role of artists.

    Linda Nochlin was born in New York on January 30, 1931, and died on October 29, 2017, aged 86. She one of the most relevant names of feminist approaches to art history. In 1971, he published his most famous article, entitled Why have there been no great women artists? The question - feminist, ironic and provocative - revolutionized the discipline of art history, too comfortable in its canons, where successions of artistic styles followed over time. From medieval art to the Renaissance, from this to Mannerism, then to Baroque, and so on to modern art. Common to all artistic movements, chronologies and nationalities was the fact that all artists were men. The legitimizing force of knowledge - as shown in books, curricula, museums and exhibitions - made the absence of female artists “natural”. If they weren't there, if we didn't read about them or see them on museum walls, they didn't exist. Or they didn't have enough "quality" to be there.

    Not only did the author reveal that "they" existed and were many more than we would have imagined, but above all, she explained the mechanisms that had led to their invisibility throughout history. It also reversed the terms of the question: what was remarkable was that, despite the resistances, difficulties, and obstacles to women pursuing an artistic career in the sixteenth and nineteenth centuries, there were still so many and with so much quality. His question went beyond the discipline of Art History. According to Nochlin, it was necessary to deconstruct and rethink the "intellectual and ideological foundations of the various intellectual or academic disciplines," what many women were doing in various parts of the world in the 1970s.

horror and alarm

this is shown in the exserp then he beat at the door and called, but none responded, and for wrath he could have dashed the door down, but it was too stout, and he had no weapon; for his arms had been taken from him.when it was dark, suddenly it seemed to sir lancelot that the room smelled foul, as if he had been carried into the midst of the quaking marsh, and was sunk deep in the slime and weeds of a pool. then, through the arrow-slit, he saw many strange lights come, dim and blue like the wild lights that dance and flit over the lonely marshes by night; but that which made him   marvel was that these lights were two together, as if they were the eyes of evil things. and they came up to him with a breath that was cold and dank, and they seemed to peer into his face, but he could see naught of their bodies. the hair upon his head rose, and his skin went cold. they pressed all about him, and to defend himself he struck at the eyes, but his blows beat only the air. then suddenly sir lancelot felt sharp pains, as if small keen knives had been thrust into his flesh at many places. the stabs increased in number and in pain, and sir lancelot beat about himself and ran to and fro in the narrow chamber to escape   the evil eyes and the stabs, but it was in vain, and thus all night in much misery he suffered. when for sheer weariness he lay down and tried to close his eyes, the evil things would not let him, but ever they tore at him and stabbed him.

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