By the 1960s, a number of african american musicians had decided to challenge tradition insearch of new modes of expression. few european american "jazz" musicians became a part ofthis movement. the experiments of ornette coleman, charles mingus, and cecil taylor, wereamong some of the earlier ventures that pursued greater degrees of musical freedom during thefifties. improvising artists collectives such as the new schools for therevolutionary music.
a. the world saxophone quartetb. bebop and beyondc. aacm and bagd. coltrane movement

Which type of notes dip or blend by a quarter or half step and swoop up to higher pitches to make jazz sound more like a human voice

Read the excerpt from the building of manhattan. the heater cranked the blower handle to force air up through the fire and heat the rivets in the furiously burning bed of coals. he knew how hot the rivets were by the way their color changed. cherry-red rivets were 1,000 to 1,950 degrees fahrenheit. at the right moment he grabbed one in his tongs and tossed it to the catcher. which phrase cannot be changed in a paraphrase of this text? “the furiously burning bed of coals” “by the way their color changed” “1,000 to 1,950 degrees fahrenheit” “force air up through the fire and heat”

Discussion board 5 - the romantir areanocturne, op. 9 no 2 solo piano - chopin (peatured listening p 778)when you listen to this piece, what does it make you think of and how does it make you feel? what do you think "nocturne" means? is that an appropriate title for this piece? the piano uses rubato throughout - what effect does that have on the performance? do you think the use of rubato enhances the performance, or would you rather hear a steadybeat throughout the piece? after you post your answer, read and respond to the posts of at least two other classmates.