Hard bop alto saxophonist, he was one of the best improvisers on alto after Charlie Parker died; his tone was so deep and full that his playing was often mistaken for tenor saxophone; in 1958, he joined Miles Davis, expanding Davis' quintet to a sextet:

true or false?

The information given relates to Cannonball Adderley. Therefore, it's true.

Cannonball Adderley was a jazz alto saxophonist of the hard bop era. He's known for the soul-jazz single "Mercy, Mercy, Mercy". Adderley worked with Miles Davis.

Adderley was one of the best improvisers on alto after Charlie Parker died. He had a tone that was so deep and full that his playing was often mistaken for tenor saxophone.

In conclusion, the statement information given is about Cannonball Adderley. Therefore, it's true.

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coordinates of r(b,c)

slope of nm is 0.

step-by-step explanation:

the midpoint of the line joining the points (x₁,y₁) and (x₂,y₂) is given by

the midpoint of the line segment nk is given by

∴r(b,c)

the slope of the line joining the points (x₁,y₁) and (x₂,y₂) is given by

slope of rs is

hence

coordinates of r(b,c)

and slope of nm is 0.

i'm not sure i completely understand your question, but i will do my best.

i think the answer you are looking for is sequence. (see below)

a repeated melodic fragment would be best defined as repetition, while repeated chords (different or the same) could be a chord progression. however, you then mentioned the chord and melodic fragment beginning on higher or lower pitches, in that case, the answer could be best defined as a sequence. the definition of a sequence is as follows: "the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice."

let me know if this !