Will give brainllest if you finish the lyrics and tell me who it's by my names (1)
d-o-l-l-h-o-u-s-e i see thing that (2)
if i retreat words, wars, (3)
i look up from the ground to see (4)
i am a lost boy from (5)

I GOT KT

(1) eggs benedict (?) [you belong here fnaf - jt machinima]

(2) nobody else sees [dollhouse - melanie martinez]

(3) wars, and symphonies make room! We're taking over here [let's kill tonight - P!ATD]

(4) your sad and teary eyes you look away from me [be alright - dean lewis]

(5) neverland usually hanging out with Peter pan [lost boy - ruth b]

sorry if these aren't all correct there could be many but these are the ones i know :))

give some choices then i can answer

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.