What did Ferren’s Dad teach him about art? Do you agree with this idea? Why or why not? How did Ferren learn about engineering, if not in school? How might this have been similar to how the ancient cultures learned engineering?
What moment does Ferren say changed his life? Explain.
What are some similarities or differences between the architecture of the Pantheon that Ferren describes and the Greek architecture described in the unit?
What does Ferren feel will help people of today create another masterpiece like the Pantheon for the modern world? Do you agree? Explain.

¿Crees que lo sé? XDD

Explanation:

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.