Which convention does German Renaissance artist Matthias Grünewald use in the Isenheim altarpiece? A. The altarpiece incorporates the medieval belief that art should communicate a religious idea.
B. The figures on the altarpiece have idealized proportion and facial expressions.
C. The artist followed the Italian Renaissance convention of using one-point perspective to create a sense of depth.
D, The altarpiece incorporates the Italian Renaissance ideal that art should communicate intellectual ideas.

Grünewald, Isenheim Altarpiece, detail of the Lamentation, from the predella. In the predella panel is a Lamentation, the sprawling and horrifyingly punctured dead body of Christ is presented as an invitation to contemplate mortality and resurrection. The second position emphasizes this promise of resurrection.

Explanation:

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Grünewald, Isenheim Altarpiece, detail of the Lamentation, from the predella. In the predella panel is a Lamentation, the sprawling and horrifyingly punctured dead body of Christ is presented as an invitation to contemplate mortality and resurrection. The second position emphasizes this promise of resurrection.

Explanation:

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it's d. (also remember it's produced physically,visual effects )

the correct answer would be "the amiens cathedral"