A contemporary technique in art that uses junk materials in art production​

One of the artistic movements that has been most relevant throughout the contemporary art movement is minimalism. Minimalism seeks to take away what’s unnecessary and leaving only what’s essential. Minimalism is incredibly difficult and has even made its way into being a huge part of branding and design for companies all over the world. This is probably the most important part of contemporary art, as it has informed so much of society. Have you noticed that branding has gotten more minimalist over the past ten years or so? You can thank the contemporary art movement for doing that.

Taking something that people view as useless, and then using it in a unique way in order to make artwork is one of the most important movements that currently exist in contemporary artwork. The idea is that things that we often view as junk are actually more valuable than we think that they are. Everything you find can be used to tell a story, or to create new diverse perspectives that we’re looking for when we attend an art exhibitions. The found objects movement is one of the most important movements in all of contemporary art currently.

Walter De Maria created an art piece in 1977 that included a four hundred steel poles over one mile by one kilometer. That’s incredible. Creating something huge to express diverse perspectives in artwork is incredibly popular, even today. Over the past forty years, large scale art, and art that includes the environment has come into its own as one of the most important movements within contemporary art. That’s why you often see modern art pieces alongside buildings, or as huge structures out in the open.

You use media such as wood, paper, paint, milk, rice, pollen, wax, plaster, stone, glass, metal, plastics, photos, slides, videos, and computers.

Explanation:

the ingredients listed on a label are listed by amount. the ingredient there is the most of is listed first and it trickles down to the ingredient there is the least of.