What are the four different orchestral instrument families? Name five string orchestral string instruments.
What are the most common brass instruments used in an orchestra?
Name four percussion instruments.
Name two different categories of orchestra.
Critical Thinking Questions
What is your favorite musical instrument? Why?
What is a musical repertoire and how are they created?
How are instrument families created?
Which of the orchestral instrument families make sound with vibrating strings? Please name one of the ways that sound can be made through vibrating strings.
How is pitch related to the size of the instrument?
I WILL MARK BRANLIEST!!!

The orchestral brass instruments are the trumpet, French horn, trombone, and tuba. As with the woodwinds, the number of each of these instruments varies depending on the size of the orchestra and the piece being played. There are usually two to five each of trumpets, horns, and trombones, and one or two tubas.:)

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.