In m. butterfly, hwang fluidly shifts between scenes, times, and locales in a manner that is highly cinematic and theatrical. how does his choice of form impact the content (or story) and the themes of the play? using specific evidence from the text, including stage directions and dialogue, analyze how hwang uses theatrical devices to further plot, illuminate themes, and develop characters. how does the content of the play lend itself to this fluidity of form? how does hwang use memory and recollection to structure the narrative? how would the play be different if these devices were removed and the play was presented in a strictly chronological or linear way?

Place the follow items in the correct order. reorder answers 1. lennie admits that he gets in trouble for petting soft things, and curley's wife mentions that her hair is soft. reorder answers 2. candy finds curley's wife dead, and finds george. reorder answers 3. lennie pets the puppy too hard and kills it. reorder answers 4. curley's wife tells lennie not to worry about the puppy. reorder answers 5. everyone leaves to find lennie. reorder answers 6. curley decides he's going to shoot lennie, and crooks mentioned that his gun is gone. reorder answers 7. lennie remembers to go to the place in the woods if something bad happens and leaves. reorder answers 8. lennie pets curley's wife's soft hair and accidentally breaks her neck.

Frank gehry’s guggenheim museum in bilbao, spain, and louise bourgeois’s sculpture maman exemplify many of the themes of this chapter. identify two of the elements or principles discussed in this chapter that either the architect or sculptor have used in creating their artwork. how have these artistic devices been employed, and what effect do they have on the viewer?

This painting is by james whistler, and is entitled, symphony in blue and pink. what is the subject matter of this piece?