LANGUAGE ARTS 6.09 Rate my song
It's from a guy to a girl but it's something I made up so it's to nobody.

Title-Grace
Everyday I see your pretty face. I heard your name was probably Grace.
Your blue eyes shine like the bluest sky. Not knowing why.
Your white fur, makes me only see a blur.
We were meant to meet eyes one day. Why not now.
I only see your peaceful dancing. The other werewolves believed you were just acting.
But for me I only knew. That I love you.
Today. Today.
Today. Today.
Today. Today.
TODAY.
You looked at me with those pretty eyes. Your smile was the winning prize.
I looked at you. You looked at me.
I think I tried too hard.
But to you. I tried just enough.
You walked up to me. With your winning smile.
You whispered to me. "I will always love you."
Little did I know. Did I know.
This was the last time I will see your eyes.
You left and I said goodbye.
Your blue eyes shine like the bluest sky. Not knowing why.
Your white fur, makes me only see a blur.
Such a peaceful dancer.
My only friend.
And her name was Grace

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.

No question so i cant answer