Insane, inside, the danger get's me high Can't help myself
Got secrets I can't tell
I love the smell of gasoline
I light the match to taste the heat
I've always liked to play with fire
Everybody in this world knows I'm a little twisted
I like setting things on fire

I ride (I ride) the edge (the edge)

My speed goes in the red

Hot blood (hot blood), these veins (these veins)

My pleasure is their pain

I love to watch the castles burn

These golden ashes turn to dirt

Explanation:

a great ass songgg

heyyy where you been? its been a minute also great song

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.