Experimental artists working in Paris before World War I are grouped as . When we see a line in nature, we’re usually inferring it from the boundary of or forms.
In an impressionist oil painting, visible brush strokes or the marks made by a palette knife are examples of texture.
The ratio of 1 to 1.6 represents the .
A grid of nine equal spaces superimposed over a picture to evaluate the composition is assessing its use of the .
The concept illustrated by a seesaw holding two people of equal weight is .
To help create a sense of drama in painting, an artist may use a/an composition.
In the spectrum of visible light, is the absence of color.
If you mix two primary colors, you’ll get a/an color.
Lime green can be called either an intermediate or a/an color.
Two colors that share a common color and appear to be in harmony are called colors.