The next question refers to the dialogue that follows. the paragraphs have been numbered to you identify them more easily. (1) logan sighed as he sat on the couch. "i can't believe we're stuck at home on the fourth of july! " (2) "i blame dad," said kerry. "he should have driven us to see fireworks instead of taking mom to a movie." (3) "it's going to be pretty boring watching fireworks on television." said logan. (4) "oh, i've got better plans than that," laughed kerry. "i've got four firecrackers and two model rockets. care to join me in the backyard? " which paragraph features dialogue that reveals information about the setting?

Which historical events have affected the meals you consume? check all that apply. columbus brought sugar cane to the new world in the late 15th century. italian immigrants brought pizza to the united states in the early 1900s. tacos were first eaten in the silver mines of mexico during the 1700s. sugar cane spread throughout the muslim world, and methods were developed to refine it. immigrants introduced chinese food to san francisco in the mid-1800s. people from the middle east created the modern version of roasting coffee in the 13th century.

Which statement best describes an example of irony from chapters 22 and 23 of the adventures of huckleberry finn

Ineed it now in this discussion you will use what you learned about the poems "will there really be a 'morning'? ", "i dwell in possibility", and "ozymandias" to compare how both dickinson and shelley used form - lines, capitalization, and punctuation - to bring meaning to the poems. let's check out one of your classmate's posts: in both "will there really be a 'morning'? " and "i dwell in possibility," emily dickinson capitalizes the words in the poem that tell the reader what to focus on in the poem. shelley also capitalizes words that are not names. these must be important to the meaning of the poem. create one post that compares how both dickinson and shelley use form - lines, capitalization, and punctuation - to bring meaning to the poems "will there really be a 'morning'? ", "i dwell in possibility", and "ozymandias".