The reigns of the tudor monarchs were marked by a. international violence, tumult, and a descent into war that marked the end of the english renaissance period. b. the birth of democracy and the beginning of an international call for freedom from oppressive monarchies. c. a spirit of scientific inquiry and exploration, independence from the roman catholic church, and a delight in the arts. d. changes in english currency and an enlightened monetary policy, both of which transformed england into a world manufacturing power.

h it's isaac again my bad i just seen this and i was like hey she's a fwend but yeah wussup

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serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.