Read the following excerpt from the article "vision, voice and the power of creation: an author speaks out," by t. a. barron and answer the question that follows: right now, i am spending a lot of time listening to the voice of a particularly compelling character: the young merlin. in the end, i finally heard the voice of merlin to a surprising source: the haunting, mysterious hooting of a great horned owl outside the window of my colorado home. as i listened to that owl's resonant [echoing] call in the pre-dawn hours one morning, something about it gave me a whole new cadence [rhythm], a whole new sound. and then, a whole new voice. which adjective supports the author's explicit message about his inspiration for merlin's voice?

Select the correct text in the passage. which two lines in this excerpt from shakespeare's romeo and juliet foreshadow the tragic fate of romeo and juliet? friar laurence: so smile the heavens upon this holy act, that after hours with sorrow chide us not! romeo: amen, amen! but come what sorrow can, it cannot countervail the exchange of joy that one short minute gives me in her sight: do thou but close our hands with holy words, then love-devouring death do what he dare; it is enough i may but call her mine. friar laurence: these violent delights have violent ends and in their triumph die, like fire and powder, which as they kiss consume: the sweetest honey is loathsome in his own deliciousness and in the taste confounds the appetite: therefore love moderately; long love doth so; too swift arrives as tardy as too slow.

And argument does not always have to be made in words. which of the following best describes the type of argument a piece of music makes

Could someone write me a personal narrative it can be your idea