The skies they were ashen and sober; the leaves they were crispéd and sere— the leaves they were withering and sere; it was night in the lonesome october of my most immemorial year; it was hard by the dim lake of auber, in the misty mid region of weir— it was down by the dank tarn of auber, in the ghoul-haunted woodland of weir. here once, through an alley titanic, of cypress, i roamed with my soul— of cypress, with psyche, my soul. these were days when my heart was volcanic as the scoriac rivers that roll— as the lavas that restlessly roll their sulphurous currents down yaanek in the ultimate climes of the pole— that groan as they roll down mount yaanek in the realms of the boreal pole. our talk had been serious and sober, but our thoughts they were palsied and sere— our memories were treacherous and sere— for we knew not the month was october, and we marked not the night of the year— (ah, night of all nights in the year! ) we noted not the dim lake of auber— (though once we had journeyed down here)— we remembered not the dank tarn of auber, nor the ghoul-haunted woodland of weir. source: poe, edgar allan. “ulalume.” poetry foundation. poetry foundation, n. d. web. 24 june 2011. identify at least one example each of alliteration, assonance, consonance, and imagery. discuss the effect of these devices.

Will give read the sentence: (blank) starting to rain outside. which is the best word to complete the sentence? a : its b : its’ c : ’tis d : it’s

In large cities such as new york city, a majority of citizens often take public transportation and leave their cars at home what is wrong with this text and visual aid

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects