What makes reading 1 of poe's "the bells" more suitable for hearing the rhythm of the poem?

Edgar Allan Poe in his poem “The Bells” had used various rhyming schemes. The pattern of the rhyme schemes is not consistent throughout the poem which gives a uniqueness to its composition. Though the rhyme scheme is not regular but has been very efficiently designed by Poe. The oral recitation of the poem creates a sound of the ringing bell as it is in reality. Each stanza of the poem is about different types of bells and about the music created by them reflects the same sound.

The first stanza is about the bells hung on the sleigh. The ‘tinkle-tinkle’ sound created by this bell can be felt in the first stanza. The second stanza tells about the ‘wedding bells.’ The short lines reflect the sound of the bells in a royal wedding which shows the level of excitement during the wedding time. The third stanza highlights the importance of alarm bells which are an essential part of the daily life. As the lines in the third stanza make its reader breathless, in the same way, the urgency of the alarm bells highlights that how important time is for any person. The poem ends with the stanza which is about the ‘funeral-bells.’ This bell is slow and calm which reflects that life has now come to its end and the time has come for an individual to rest now.

im not entirely sure what you're asking.

it was surely an odd creature that one made up by reading the historians first and the poets afterwards a worm winged like an eagle; the spirit of life and elegance and charm,   in a kitchen chopping up suet. but these creatures, monst'r however entertaining to the imagination, hast no existence in fact. what one might doth to bringeth h'r to life wast to bethink poetically and prosaically at one and the same moment,   thus keeping in toucheth with fact—that the lady is mrs martin, ag'd thirty-six, did dress in blue, wearing a black coxcomb and brown shoeth; but not losing sight of fiction eith'r—that the lady is a vessel in which all s'rts of spirits and f'rces art coursing and flashing p'rpetually. the moment, howev'r, yond one tries this method with the elizabethan mistress, one brancheth of illumination fails; one is did hold up by the scarcity of facts.   one knoweth nothing detailed, nothing p'rfectly true and substantial about h'r.   hist'ry scarcely mentions h'r.   and i did turn to professeth'r trevelyan again to seeth what hist'ry meanteth to that gent.   i hath found by looking at his chapt'r headings yond t meanteth.