In line 5, the “waves” are
(a) so big they reach the speaker’s window
(b) a metaphor for the fog that carries the images of faces down below up
to the speaker at his window
(c) part of the poem’s bigger conceit that compares the scene below to
an ocean
(d) part of a hypothetical situation thought up by the speaker
(e) a hallucination that characterizes the speaker as depressed and
delusional
passage 3. t. s. eliot, “morning at the window”
th ey are rattling breakfast plates in basement kitchens,
and along the trampled edges of the street
i am aware of the damp souls of housemaids
sprouting despondently at area gates.
th e brown waves of fog toss up to me
twisted faces from the bottom of the street,
and tear from a passer-by with muddy skirts
an aimless smile that hovers in the air
and vanishes along the level of the roofs.

Poetry is a huge part of literary history. it is also a part of musical history. from the lyrics of ancient folk songs to those of modern-day rap, musicians have used words in their art to express life, love, and culture. whether the melody comes first or the words do, it is a poet's job to make them work together. the music and words become partners in the goal of expressing ideas or affecting the listener in some way. we have all been turned into mush by a beautiful song with a sad message, and we have the musical poets to for that. based on the sentences in this paragraph, which statement is accurate? sentence 1 is a complex sentence that varies the style and tone of the paragraph. sentence 3 is a complex sentence that varies the style and tone of the paragraph. sentence 5 is a compound sentence that varies the fluency and style of the paragraph. sentence 6 is a compound sentence that varies the fluency and style of the paragraph.

In saying that 11: 30 am was in the small hours of the morning, bertie is using

What is one possible theme for the poem forgetfulness