Why does the narrator feel divided into three different people? a. because she is leading a secret life as revolutionary b. because she dresses and acts differently depending on where she is c. because she is trying to learn how to be american d. because she wants to become like sister mary joseph

The narrator of "Gravity", by Judith Ortiz Cofer, feels divided into three different people because of option b. because she dresses and acts differently depending on where she is. During school hours she wears the uniform of the Catholic school she attends. After the uniform, if she is at home she dresses like a hippie with a died old tee-shirt, and when she meets with others at Sister Mary Joseph's cafe she dresses like all the other 'revolutionaries' that meet there.

hm, switch the relative; nominative and indefinite; objective ? not too bright in the knowledge of the english.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran