In the stage production of beauty and the beast, why would the costume designer need to work with the special effects crew? the costume designer would have to be sure that the fabric of actors’ costumes didn’t get caught in one of the mechanical special effects. a specific character’s costume required the occasional use of fire onstage, so the costume designer and special effects crew would have to work together to design that costume. the special effects crew would be interested in the costume design process. the costume designer would be interested in the process of creating special effects.

The correct answer is "a specific character’s costume required the occasional use of fire onstage, so the costume designer and special effects crew would have to work together to design that costume. "

The character that requires the work of both the costume designer and the special effects crew is Lumière, the candlestick. Both parties need to work together to ensure the costume is made of safe, fire-resistant fabrics, and that the special effects does not interfer with the costume itself.

first of all the mood needs to be defined: it is obviously a mood of deceitful relief and serenity. why? because the cape horn is one of the most violent maritime regions of earth and although it has been left behind, it is a personification of ahab’s delirium and the fact that the end of the passage speaks about it about being “hidden” but “raving” immediately conveys the feeling the calm is not permanent but fleeting.

furthermore, the oxymoron “mild stun'sails” is the first instance of such feeling as the adjective “mild” is associated with “stunned” underscoring the fleeting nature of this “tranquil” moment. and the contrasts keep piling up, with the opposition between “dark den” and “blessed light and air” to end with the final conclusion that leaves the reader with the uneasy knowledge that this is just a reprieve.