Afshin is working on a film version of the fairytale of cinderella. he has just shot the following scene using a high camera angle, warm colors, and low lighting: interior—ballroom the camera follows cinderella as she enters the ballroom. the room is lit with hundreds of candles and crowded with glamorous, well-dressed people, all of whom slowly turn to look at her as she walks in. why did afshin use a high camera angle, warm colors, and low lighting for this scene? a to convey that cinderella felt small, anxious, and on alert b to convey a welcoming, cozy atmosphere where cinderella felt at home c to convey that cinderella felt superior to the other people in the room and proud of how she looked d to convey a sense that cinderella felt like she was a part of this crowd and was excited to be at the ball

hospitality is mentioned many times in odysseus. it is known as xenia in the poem. one notable example is.

here is a poor man come, a wanderer,

driven by want to beg his bread, and everyone

in hall gave bits, to cram his bag—only

antinous threw a stool, and banged his shoulder

the lines show odysseus disguised as a beggar and shares his bread with another beggar in a weird way because he had to defeat him in order to eat. however, odysseus does not kill the old man and even shows his hospitality.

explanation:

have a great day!

from the excerpt from the "the dark game" the reader can infer that folke cronholm was spying for the allied nations.

situational archetype describes the adventures of hero. the examples of situational archetypes are the quest, good vs evil, the task which represent respectively search, good forces, characters vs the evil ones and a certain job that must be done. from the given options, we cannot observe the subplot the beauty and the beast which is a correct answer for this question.

yall naerds