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letra de la canción bohemian rhapsody, de queen, en inglés (english lyrics)

is this the real life?
is this just fantasy?
caught in a landslide
no escape from reality
open your eyes
look up to the skies and see
i'm just a poor boy
i need no sympathy
because i'm easy come, easy go
little high, little low
anyway the wind blows
doesn't really matter to me, to me

mama, just killed a man
put a gun against his head
pulled my trigger, now he's dead

mama, life had just begun
but now i've gone and thrown it all away
mama, didn't mean to make you cry
if i'm not back again this time tomorrow
carry on, carry on as if nothing really matters

too late, my time has come
sends shivers down my spine
body's aching all the time
goodbye, everybody, i've got to go
got to leave you all behind and face the truth

mama, -wish the wind blows-
i don't want to die
i sometimes wish i'd never been born at all

i see a little silhouette of a man
scaramouche, scaramouche, will you do the fandango
thunderbolt and lightning, very, very frightening me
-galileo- galileo
-galileo- galileo
galileo figaro, "magnífico"

i'm just a poor boy and nobody loves me
he's just a poor boy from a poor family
spare him his life from this monstrosity
easy come, easy go, will you let me go?
bismillah!
no, we will not let you go -let him go! -
bismillah!
we will not let you go -let him go! -
bismillah!
we will not let you go -let me go-
will not let you go. -let me go-
will not let you go. -let me go-
ah, no, no, no, no, no, no, no
-oh mama mia, mama mia- mama mia, let me go
beelzebub has a devil put aside for me, for me, for me

so you think you can stone me and spit in my eye
so you think you can love me and leave me to die
oh, baby, can't do this to me, baby
just got to get out, just got to get right out of here

nothing really matters
anyone can see
nothing really matters
nothing really matters to me
anyway the wind blows

Modernist poetry broke traditions in works that did all of the following except: question 1 options: a) experimented with language, symbolism, and imagery b) challenged rules about point of view, rhyme scheme, meter, and capitalization c) focused on the poem’s appearance on the page as a form of self-expression d) addressed subjects and ideas that had been explored in poetry for centuries. while mr. flood is not heroic in the typical sense and does nothing admirable during the poem’s action, robinson’s description of mr. flood is nevertheless filled with pathos, which a) the poem is filled with language and descriptions which arouse emotion, usually pity and sympathy, from the reader. b) the poem is filled with nonsensical events that make the reader laugh at mr. flood’s expense. c) the poem gives vivid sensory details that make the reader feel like they are a part of the story. d) the poem is tedious and drawn out with details that don’t influence the reader at all. refer to the william carlos williams poem "spring and all" (on pages 306-7 in your textbook), to answer the prompt below. your response should be 1-2 well-developed paragraphs and should include specific details (quotes) from the poem that support your analysis. cite your textual evidence as well. you should use your journeys book. because “spring and all” ends with language and imagery that suggest birth and growth, many readers consider it a hopeful poem that celebrates the first steps toward new life and away from a wintry world characterized by death and decay. consider the poem’s date of publication—1923—and the historical events that influenced many modern writers, specifically, world war i. poem below: by the road to the contagious hospital under the surge of the blue mottled clouds driven from the northeast-a cold wind. beyond, the waste of broad, muddy fields brown with dried weeds, standing and fallen patches of standing water the scattering of tall trees all along the road the reddish purplish, forked, upstanding, twiggy stuff of bushes and small trees with dead, brown leaves under them leafless vines- lifeless in appearance, sluggish dazed spring approaches- they enter the new world naked, cold, uncertain of all save that they enter. all about them the cold, familiar wind- now the grass, tomorrow the stiff curl of wildcarrot leaf one by one objects are defined- it quickens: clarity, outline of leaf but now the stark dignity of entrance-still, the profound change has come upon them: rooted, they grip down and begin to awaken how might “spring and all” be interpreted as a reaction to the violence of world war 1? be sure to cite examples from the poem to support your analysis.

Which statement is the most accurate summary of this excerpt from leo tolstoy’s the death of ivan ilyich?

Where does the receiver live in the giver?