What are the rules of writing astory

Rules of writing a story depends on what kind of story you’re writing!  Are you riding a novel are you writing a poem are you writing a short story are you writing a counter argument arguing with something are you doing a speech, these are examples! But these are some things that you need you need a main character I need a plot you need to give your main character in a problem develop your plot by asking whatever and write what you know build suspense make sure your story comes alive by using all five senten but these are some things that you need you need a main character I need a plot you need to give your main character in a problem develop your plot by asking whatever and write what you know build suspense make sure your story comes alive by using all five senses  and the main character must’ve his/her own problem!

1. Write In One Sitting

Write the first draft of your story in as short a time as possible. If you’re writing a short story, try to write it in one sitting. If you’re writing a novel, try to write it in one season (three months).

Don’t worry too much about plotting or outlining beforehand. You can do that once you know you have a story to tell in the first place. Your first draft is a discovery process. You are like an archeologist digging an ancient city out of the clay. You might have a few clues about where your city is buried beforehand, but you don’t know what it will look like until it’s unearthed.

All that’s to say, get digging!

2. Develop Your Protagonist

Stories are about protagonists, and if you don’t have a good protagonist, you won’t have a good story. The essential ingredient for every protagonist is that they must make decisions. Victor Frankl said, “A human being is a deciding being.” Your protagonist must make a decision to get herself into whatever mess she gets into in your story, and likewise, she must come to a crisis point and decide to get herself out of the mess.

To further develop your protagonist, use other character archetypes like the villain, the protagonist’s opposite, or the fool, a sidekick character that reveals the protagonist’s softer side.

3. Create Suspense and Drama

To create suspense, set up a dramatic question. A dramatic question is something like, “Is he going to make it?” or, “Is she going to get the man of her dreams?” By putting your protagonist’s fate in doubt, you make the reader ask, What happens next?

Note: To do this well, you need to carefully restrict the flow of information to the reader. Nothing destroys drama like over-sharing.

4.  Show, Don’t Tell

Honestly, the saying “show, don’t tell” is overused. However, when placed next to the step above, it becomes very effective.

When something interesting happens in your story that changes the fate of your character, don’t tell us about it. Show the scene! Your readers have a right to see the best parts of the story play out in front of them. Show the interesting parts of your story, and tell the rest.

5. Write Good Dialogue

Good dialogue comes from two things: intimate knowledge of your characters and lots of rewriting.

Each character must have a unique voice, and to make sure your characters all sound different, read each character’s dialogue and ask yourself, “Does this sound like my character?” If your answer is no, then you have some rewriting to do.

Also, with your speaker tags, try not to use anything but “he said” and “she said.” Speaker tags like “he exclaimed,” “she announced,” and “he spoke vehemently” are distracting and unnecessary. The occasional “he asked” is fine, though.

6. Write About Death

Think about the last five novels you read. In how many of them did a character die? Good stories often involve death. Harry Potter, The Hunger Games, Charlotte’s Web, The Lord of the Rings, and more all had main characters who died. Death is the universal theme because every person who lives will one day die. Tap the power of death in your storytelling.

i think the answer is d)solicitude sorry if the answer is wrong.

i think the answer is c. she can't feel happy because things are moving too quickly.