Perched over her eyes: lovely frida, erect
among parrots, in the stern petticoats of the peasant,
who painted herself a present—
wildflowers entwining the plaster corset
her spine resides in, that flaming pillar—
this priestess in the romance of mirrors.

each night she lay down in pain and rose
to the celluloid butterflies of her beloved dead,
lenin and marx and stalin arrayed at the footstead.
and rose to her easel, the hundred dogs panting
like children along the graveled walks of the garden, diego’s
love a skull in the circular window
of the thumbprint searing her immutable brow.

how does this poem resemble an elizabethan sonnet?

it contains exactly 14 lines.
it has no set rhyme pattern.
it has a pattern of repeating lines.
it has a set number of syllables per line.

It contains exactly 14 lines. i just took the test

It contains exactly 14 lines

Explanation:

The only resemblance that the poem above has to an Elizabethan sonnet is the fact that it has 14 lines, as well as the Elizabethan sonnets, since they are written in iambic pentameter, but the Elizabethan sonnets have strict rhyming patterns and have a set number of syllables per line, but in this case the poem does not have a certain number of syllables per line.

kennedy creates personal credibility by saying he is more than fit to lead. he talks about the sixty day period that he constructed administration, and says based on that he will be an acceptable leader.

jfk has a great reputation as an american citizen. he fought in wwii, and earned the navy and marine corps medal. he saved several men on his pt-109 patrol torpedo boat after an attack by the japanese navy. he also served in congress for the 11th congressional district for massachusetts, and served three terms in the house of representatives.

explanation:

the first proposition is to question economic materialism and victorian christianity. the lines are:

“it moves us not.—great god! i'd rather be

a pagan suckled in a creed outworn; ”

wordsworth is stating that nature no longer interests mankind, that the latter is not “moved” by it and explains that ancient western paganism had a more positive attitude concerning nature since it lacked the perv erted judaeo-christian interpretation of having received the world and all its animals and elements from god to use as we , instead of humans actually being not only part of nature but its wardens, meant to appreciate it and protect it.

the next lines are:

“so might i, standing on this pleasant lea,

have glimpses that would make me less forlorn;

have sight of proteus coming from the sea;

or hear old triton blow his wreathed horn.”

wordsworth here make it very clear that by actually looking and contemplating nature, human beings would reconnect with happiness, serenity and purpose. the use of mythological figures is quite evocative as well, proteus is a greek mythological god of the changing sea. he personifies the sea that changes, which symbolizes the way nature changes and inevitably can change to be destructive not only due to natural causes but to human pollution. furthermore, the sea is even more symbolic since all life originated in the sea so it is not only our past but our future since no life form in our planet can survive without water and if all water is destroyed in earth all life will be gone as well.

he then uses triton which is symbolic of the synthesis of both nature and mankind. triton is a mythological greek god that has the upper body of a man and the lower body of a fish (a merman). this human fish duality evokes the fact that humans are not only human but also part of nature, the fish tail representing nature. the main attribute of this god was that he used a conch shell as a horn to calm the roaring seas. in other words, triton uses nature through science for the benefit of human sailors who risk death during tempests. with the use of such metaphor, wordworth is conveying the message that human technology   is supposed to use nature to preserve nature and thereby humanity as well.