'wuthering heights is in the midst of the desolate english moors. outside the gates of this solitary dwelling, the landscape expands into dreary shades of brown and gray, with only the craggy cliffs on the distant horizon to break the monotony. wildlife and foliage are scarce. the few trees that do live must eke out their existence: the north wind blows constantly. the house itself, built to withstand the tumults of wind and rain, is cold and forbidding. the stone walls and earthen floors offer no relief from the bone-chilling dampness of northern england. in sharp contrast to wuthering heights is thrushcross grange. 8situated in a sheltered valley. thrushcross grange is calm and peaceful, and is surrounded by lush flower gardens. the refined elegance of thrushcross grangeiffers as much from wuthering heights as the rose differs from the thorn 10 the contrast between these two settings is symbolic of the ultimate conflicts in emily bronte's novel wuthering heights. name the shape of the paragraph

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.