Read the excerpt from chapter 25 of the awakening. there was a perpetual smile in his eyes, which seldom failed to awaken a corresponding cheerfulness in any one who looked into them and listened to his good-humored voice. his manner was quiet, and at times a little insolent. he possessed a good figure, a pleasing face, not overburdened with depth of thought or feeling; and his dress was that of the conventional man of fashion. which statement best summarizes the explicit message in the excerpt? arobin is forgetful and shallow. arobin is a trendsetter. arobin is friendly and kind. arobin is a social man. read the excerpt from chapter 25 of the awakening. there was a perpetual smile in his eyes, which seldom failed to awaken a corresponding cheerfulness in any one who looked into them and listened to his good-humored voice. his manner was quiet, and at times a little insolent. he possessed a good figure, a pleasing face, not overburdened with depth of thought or feeling; and his dress was that of the conventional man of fashion. which statement best summarizes the explicit message in the excerpt? arobin is forgetful and shallow. arobin is a trendsetter. arobin is friendly and kind. arobin is a social man.

In chapter 3, scout criticizes her classmate, walter cunningham, for asking for molasses and then pouring it on his vegetables and meat while he was a guest at the finch home. in this scene, what does the author’s use of flashback in a first person point-of- view narration achieve?

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.

In the following conversation, which group discussion technique does emily most clearly show?