Years passed by. every spring when the roses began to bloom seven youths and seven maidens were put on board of a black-sailed ship and sent to crete to pay the tribute which king minos required. in every house in athens there was sorrow and dread, and the people lifted up their hands to athena on the hilltop and cried out, "how long, o queen of the air, how long shall this thing be? " in the meanwhile the little child at troezen on the other side of the sea had grown to be a man. his name, theseus, was in everybody's mouth, for he had done great deeds of daring; and at last he had come to athens to find his father, king aegeus, who had never heard whether he was alive or dead; and when the youth had made himself known, the king had welcomed him to his home and all the people were glad because so noble a prince had come to dwell among them and, in time, to rule over their city. –“the cruel tribute,” james baldwin why does the author allow years to pass between the making of the treaty with king minos and the return of aegeus’s son, theseus? check all that apply.

In this excerpt from "quality" by john galsworthy, which two parts clearly indicate the literary point of view of the essay? that tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the royal family—merely his own german name of gessler brothers; and in the window a few pairs of boots. i remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. had he bought them to put there? that, too, seemed inconceivable. he would never have tolerated in his house leather on which he had not worked himself. besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. those pairs could only have been made by one who saw before him the soul of boot—so truly were they prototypes incarnating the very spirit of all foot-gear. these thoughts, of course, came to me later, though even when i was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. for to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.