Read the following passage found in from emperor to citizen. "just as food was cooked in huge quantities but not eaten, so was a vast amount of clothing made which was never worn. i cannot now remember much about this, but i do know that while the dowager and the high consorts had fixed yearly allocations, there were no limits for the emperor, for whom clothes were constantly made throughout the year. i do not know what exactly was made, but everything i wore was always new. i have before me an account from an unspecified year headed “list of materials actually used in making clothes for his majesty’s use from the sixth day of the eleventh month.” according to this list the following garments were made for me that month: eleven fur jackets, six fur inner and outer gowns, two fur waistcoats, and thirty padded waistcoats and pairs of trousers. leaving aside the cost of the main materials and of the labor, the bill for such minor items as the edgings, pockets, buttons and thread came to 2,137.6335 silver dollars. my changes of clothing were all laid down in regulations and were the responsibility of the eunuchs of the clothing storerooms. even my everyday gowns came in twenty-eight different styles, from the one in black and white inlaid fur that i started wearing on the nineteenth of the first lunar month to the sable one i changed into on the first day of the eleventh month. needless to say, my clothes were far more complicated on festivals and ceremonial occasions." after reading these paragraphs, the reader can most likely conclude that the speaker a.)enjoys the vast array of clothing he has to choose from. b.)is proud of the expense of the clothing that he wears. c.)regards his wardrobe as a waste of time and resources. d.)appreciates all of the work that goes into overseeing his royal attire.

subject: why anyone can be a genius.

occasion: moving forward in life.

audience: average person

purpose: to push you further in life

speaker: many famous geniuses.

here is the poem:

here is thy, and here is thee, genius is for what he can be.

poem is a matter of rhyme, but like ben frank said, life is a matter of time.

we have great inventors such as thomas edison, who said, "genius is one percent inspiration and 99% perspiration." no, no perspiration as what comes from your skeleton.

we have great minds, from places of all kinds, such as yu kaw la chi tie, (now im switching languages because yu kaw was japanese.)

てちハラスイヒイス, てちラスイヒイス

てちのちみスイヒイス.

you are a genius, well not yet, but you are capable, and that is a bet.

i believe that's the correct answer

sorry forgo thte passage

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran