13) below you will find dialogue from the play. in the space provided, make inferences about james based on the dialogue.
james: i'm moving your—mrs. keller, instead. to the station.
keller: mrs. keller. must you always speak of her as though you haven't met the lady?
(kate comes out on the porch, and james inclines his head.)
james [ironic]: mother.
(he starts off the porch, but sidesteps keller's glare like a blow.)
make sure you are writing in complete sentences that are error free.

Hurry i'll give 20 pts and a to whoever will comment first hurry no coying compares how both dickinson and shelley use form - lines, capitalization, and punctuation - to bring meaning to the poems "will there really be a 'morning'? ", "i dwell in possibility", and "ozymandias".

Juanito. hey, don't leave yet. what type of work? and where? who do i see? hey, don't leave yet! the duende. (the duende stops and turns). be careful. danger. danger. (he exits.) —blanca flor, angel vigl read these lines from the play again, then rewrite them as they might appear in a novel. the answer is 'hey, don't leave yet," cried juanito. "what type of work? and where? who do i see? hey, don't leave yet! " the duende stopped and turned back to juanito. "be careful. danger," he warned. as he turned to leave, he repeated: "danger."

Choose the matching analogy plague: contagious a: confident: trustworthy b: loyal: companion c: nature: random d gather: congregate