Which two excerpts appear toward the end of the plot structure of f. scott fitzgerald's "bernice bobs her hair"?
a. after a minute's brisk walk [bernice] discovered that her left hand still held the two blond braids. she laughed unexpectedly—had to shut her mouth hard to keep from emitting an absolute peal. she was passing warren's house now, and on the impulse she set down her baggage, and swinging the braids like pieces of rope flung them at the wooden porch, where they landed with a slight thud.
b."you've got an awfully kissable mouth," [warren] began quietly.
this was a remark that he sometimes made to girls at college proms when they were talking in just such half dark as this. bernice distinctly jumped. she turned an ungraceful red and became clumsy with her fan. no one had ever made such a remark to her before.
c.[bernice's] soft slippers bore her noiselessly down the carpeted hall, but hearing voices inside she stopped near the partly opened door. then she caught her own name, and without any definite intention of eavesdropping lingered—and the thread of the conversation going on inside pierced her consciousness sharply as if it had been drawn through with a needle.
d."i want to be a society vampire, you see," [bernice] announced coolly, and went on to inform him that bobbed hair was the necessary prelude. she added that she wanted to ask his advice, because she had heard he was so critical about girls.
charley, who knew as much about the psychology of women as he did of the mental states of buddhist contemplatives, felt vaguely flattered.
e. then bernice winced as marjorie tossed her own hair over her shoulders and began to twist it slowly into two long blond braids until in her cream-colored negligée she looked like a delicate painting of some saxon princess. fascinated, bernice watched the braids grow. heavy and luxurious they were, moving under the supple fingers like restive snakes—and to bernice remained this relic and the curling-iron and a to-morrow full of eyes.