Read this excerpt from colleen's research-based essay on
trends in education.
which terms from the excerpt, if any, require an extended
definition, and why?
d
what was once a trend in education may now be considered
passé, as research has transformed the field completely
more than once over the past 30 years. the makerspace of
today may no longer be used in five years; however, these
places where students can gather for project-based learning
and discovery seem popular enough to have staying power.
the word passé requires an extended definition because
it is foreign and might be unfamiliar to her intended
audience.
the word makerspace requires an extended definition
because it is complex and most likely unfamiliar to the
audience of the paper.
the phrase staying power requires an extended definition
because it is an infrequently used term that may confuse
the audience.
no words require extended definitions; all potentially
unfamiliar words are appropriately supported by context.

subject: why anyone can be a genius.

occasion: moving forward in life.

audience: average person

purpose: to push you further in life

speaker: many famous geniuses.

here is the poem:

here is thy, and here is thee, genius is for what he can be.

poem is a matter of rhyme, but like ben frank said, life is a matter of time.

we have great inventors such as thomas edison, who said, "genius is one percent inspiration and 99% perspiration." no, no perspiration as what comes from your skeleton.

we have great minds, from places of all kinds, such as yu kaw la chi tie, (now im switching languages because yu kaw was japanese.)

てちハラスイヒイス, てちラスイヒイス

てちのちみスイヒイス.

you are a genius, well not yet, but you are capable, and that is a bet.

needs an explanation

answer: 1 goes to 3

2 goes to 4

3 goes to 2

4 goes to 1

explanation:

word count 168

serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.