There is a tale, "the ring of gyges," that feldman sometimes tells his economist friends. it comes from plato’s republic. a student named glaucon offered the story in response to a lesson by socrates—who, like adam smith, argued that people are generally good even without enforcement. glaucon, like feldman’s economist friends, disagreed. he told of a shepherd named gyges who stumbled upon a secret cavern with a corpse inside that wore a ring. when gyges put on the ring, he found that it made him invisible. with no one able to monitor his behavior, gyges proceeded to do woeful things—seduce the queen, murder the king, and so on. glaucon’s story posed a moral question: could any man resist the temptation of evil if he knew his acts could not be witnessed?

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.