Read the excerpt below and answer the question.

and at last they took a change and begun to lay their heads together in the wigwam and talk low and confidential two or three hours at a time. jim and me got uneasy. we didn't like the look of it. we judged they was studying up some kind of worse deviltry than ever. we turned it over and over, and at last we made up our minds they was going to break into somebody's house or store, or was going into the counterfeit-money business, or something.

this excerpt signals a change in the novel's

purpose
theme
tone
viewpoint

11-32. the main character in the parable, the forgiving father, whose character remains constant throughout the story, is a picture of god. in telling the story, jesus identifies himself with god in his loving attitude to the lost. the younger son symbolizes the lost (the tax collectors and sinners of that day, luke 15: 1), and the elder brother represents the self-righteous (the pharisees and teachers of the law of that day, luke 15: 2). the major theme of this parable seems not to be so much the conversion of the sinner, as in the previous two parables of luke 15, but rather the restoration of a believer into fellowship with the father. in the first two parables, the owner went out to look for what was lost (luke 15: 1-10), whereas in this story the father waits and watches eagerly for his son's return. we see a progression through the three parables from the relationship of one in a hundred (luke 15: 1-7), to one in ten (luke 15: 8-10), to one in one (luke 15: 11-32), demonstrating god’s love for each individual and his personal attentiveness towards all humanity. we see in this story the graciousness of the father overshadowing the sinfulness of the son, as it is the memory of the father’s goodness that brings the prodigal son to repentance (romans 2: 4).

the grass-plot before the jail, in prison lane, on a certain summer morning, not less than two centuries ago, was occupied by a pretty large number of the inhabitants of boston; all with their eyes intently fastened on the iron-clamped oaken door.

— the scarlet letter,

nathaniel hawthorne

''eyes intently fastened''

''iron-clamped oaken door''

are the answers