Read the excerpt from act iv, scene iv of romeo and juliet.

this scene is an example of dramatic irony used to create suspense since the audience knows that

the musicians will not arrive on time.
capulet approves of the match to paris.
romeo is already married to juliet.
the nurse will be unable to rouse juliet

the nurse will be unable to rouse Juliet.

Explanation:

In Shakespeare's Romeo and Juliet, Act IV, Scene I, Friar Lawrence makes a plan to reunite the two lovers. He will give Juliet a portion that lasts for 24 hours, which will make her seem dead during that time. Friar will send news to Romeo, and by the time he arrives at the tomb where Juliet's body will be placed, she will wake up and run away with him.

Dramatic irony is a situation in which the audience is informed about something that the characters don't know. This excerpt from Act IV, Scene IV, is an example of dramatic irony, since the nurse suggests that they should wake Juliet up and get her dressed for the wedding, but the audience knows that she will be unable to wake her up due to the portion that she took.

racism is the belief in the superiority of one race over another, which often results in discrimination and prejudice towards people based on their race or ethnicity. the use of the term "racism" does not easily fall under a single definition.

explanation:

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: