Select the correct answer.
what does this excerpt from act iv of shakespeare's romeo and juliet reveal about juliet's love for romeo?

juliet: tell me not, friar, that thou hear'st of this,
unless thou tell me how i may prevent it:
if, in thy wisdom, thou canst give no ,
do thou but call my resolution wise,
and with this knife i'll it presently.
god join'd my heart and romeo's, thou our hands;
and ere this hand, by thee to romeo seal'd,
shall be the label to another deed,
or my true heart with treacherous revolt
turn to another, this shall slay them both:
therefore, out of thy long-experienced time,
give me some present counsel, or, behold,
'twixt my extremes and me this bloody knife
shall play the umpire, arbitrating that
which the commission of thy years and art
could to no issue of true honour bring.
be not so long to speak; i long to die,
if what thou speak'st speak not of remedy.

a.) she wants to remain faithful to romeo even if she must die.

b.) she believes that she can be united with romeo in death.

c.) she believes that she can continue without romeo and marry paris.

d.) she wants to sacrifice her own life to save romeo from her family's wrath.

the narrator is saying that the old lady made her feel uncomfortable. you know this because they say "i found that rather irksome", "perhaps it was her being so upright and trim", and "i don't think it was that, because i thought that quaintly pleasant." hope this !

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran