Read the point that is being made and the illustration that follows it. Point: Gilgamesh is a courageous leader. Illustration: Enkidu is frightened of Humbaba and wants to turn back, but he tells Gilgamesh, "You go into the dreadful forest, you kill Humbaba and win the fame.” Which explanation best connects this illustration to the point being made? Enkidu also tells Gilgamesh that he “will return now to great-walled Uruk” and that all men will know he has been a coward. Although Enkidu fears for his own life, he is thoughtless and does not necessarily fear for the lives of others. Enkidu is deeply fearful of Humbaba, and he strongly believes that Gilgamesh has the courage and ability to defeat Humbaba alone. This proves that Enkidu does not believe that anyone can defeat Humbaba, even if he thinks Gilgamesh should at least try.

The correct answer is: Although Enkidu fears for his own life, he is thoughtless and does not necessarily fear for the lives of others.

Explanation:

In this illustration, Enkidu is represented as a selfish person, who is frightened of Humbaba and fears for his own life, without caring for the lives of others. Because of that, he says Gilgamesh he should go into the forest and kill Humbaba, just to make sure he will stay out of the forest and save his own life.

He doesn't think about Gilgamesh as a hero, although he knows Gilgamesh is a courageous leader, he doesn't think about Gilgamesh's win or success. Enkidu thinks Gilgamesh should fight against Humbaba alone and showing his selfishness by deciding to stay out of the wood, in order to save his life.

- "he is a very real person and his intent isn't to influence us vonnegut addresses this towards the end of the letter when he says, if we choose to curse, that is by our own individual means."

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: