“Round about the cauldron go; 4
In the poisoned entrails throw.
Toad, that under cold stone 6
Days and nights has thirty-one
Swelterd venom sleeping got. 8
Boil thou first i’th’ charmed pot.
What does the First Witch tell the witches to do in Act 4, Scene 1, lines 4–9?

2. The contents of the witches’ cauldron described in Scene 1 foreshadow that in this tragedy, Macbeth’s rule will

3. Macbeth most likely lists the destructive effects of the witches’ wind in Act 4, Scene 1 in order to

Macbeth: That will never be. 94
Who can impress the forest, bid the tree
Unfix his earthbound root? Sweet bodements, good! 96
Rebellious dead, rise never till the wood
Of Birnam rise, and out high-placed Macbeth 98
Shall live the lease of nature, pay his breath
To time and moral custom. Yet my heart 100
Throbs to know one thing.
4. Act 4, Scene 1, lines 94–100 reveal that one aspect of Macbeth’s tragic flaw is

Macbeth:
Horrible sight! Now I see ‘tis true, 122
For the blood-boltered Banquo smiles upon me
And points at them for his. 124
5. Act 4, Scene 1, lines 122–124 reveal that Macbeth

6. Why is Ross trying to comfort Lady Macduff in Act 4, Scene 2?

7. Why is Lady Macduff angry with her husband in Act 4, Scene 2?

8. In response to Lady Macduff’s anger in Act 4, Scene 2, Ross suggests that

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification

*ill give best answer brainliest*read the excerpt below and answer the question. we did not know, as yet, which was the better side, right or left, which road led to prison and which to the crematoria. still, i was happy, i was near my father. our procession continued slowly to move forward. another inmate came over to us: “satisfied? ” “yes,” someone answered. “poor devils, you are heading for the crematorium.” he seemed to be telling the truth. not far from us, flames, huge flames, were rising from a ditch. something was being burned there. a truck drew close and unloaded its hold: small children. babies! yes, i did see this, with my own eyes . . children thrown into the flames. (is it any wonder that ever since then, sleep tends to elude me? ) so that was where we were going. a little farther on, there was another, larger pit for adults. what is the conflict portrayed in this excerpt from elie wiesel’s night? select all that apply. the external conflict between the nazis and the jews the external conflict between the nazis and the allies the external conflict between wiesel and the inmate the internal conflict between wiesel’s memory of the burning bodies and his desire for peaceful sleep

What is the story about in the movie freedom writers