Read the following sentences, spoken by choreographer Hadar Ahuvia: “When I was sixteen I said to myself, okay, if after this summer I don't like dancing, I'll quit. I had a great summer dancing, and I'm still dancing, so I decided to keep going. Then I made a bunch of other decisions about how I wanted to dance. Soon I was arranging my life around it. It was becoming a larger piece of my identity; still it’s only one of many.”
Based on this evidence, what conclusion can be made?

Your

A. Ahuvia thinks that one cannot choose to be an artist.

B. Ahuvia thinks that only dancers are artists.

C. Ahuvia thinks that becoming an artist involved many decisions.

D. Ahuvia thinks that being an artist is not important.

a

Explanation:

a

so you can tailor your resumé to the position

would be the answer. hope this .

it was surely an odd creature that one made up by reading the historians first and the poets afterwards a worm winged like an eagle; the spirit of life and elegance and charm,   in a kitchen chopping up suet. but these creatures, monst'r however entertaining to the imagination, hast no existence in fact. what one might doth to bringeth h'r to life wast to bethink poetically and prosaically at one and the same moment,   thus keeping in toucheth with fact—that the lady is mrs martin, ag'd thirty-six, did dress in blue, wearing a black coxcomb and brown shoeth; but not losing sight of fiction eith'r—that the lady is a vessel in which all s'rts of spirits and f'rces art coursing and flashing p'rpetually. the moment, howev'r, yond one tries this method with the elizabethan mistress, one brancheth of illumination fails; one is did hold up by the scarcity of facts.   one knoweth nothing detailed, nothing p'rfectly true and substantial about h'r.   hist'ry scarcely mentions h'r.   and i did turn to professeth'r trevelyan again to seeth what hist'ry meanteth to that gent.   i hath found by looking at his chapt'r headings yond t meanteth.