English, 01.04.2020 16:48 viktoria1198zz

Now that you've had a little practice analyzing the structure of argumentative texts, let's return to "In Praise of Slacking." What structural elements are missing from the text? Write one possible counterargument opposing the author's claim that doing less is an ideal we should embrace. Then, explain why you do or do not find your counterargument compelling

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Answer from: justalittle

Refer below.

Explanation:

The creator does exclude an area investigating counterarguments or an end.

In spite of the fact that there are numerous outstanding instances of fruitful journalists who were known—in any event to a limited extent—for their lethargy, instances of individuals who were effective as an immediate consequence of their tirelessness possess large amounts of a wide scope of controls. Michael Jordan, for instance, is broadly viewed as one of the best ball players ever. During his profession, he was known for his tenacious seriousness and scrupulousness. Among writers, Ray Bradbury was known for keeping in touch with one short story consistently—a shocking pace of creation. What's more, numerous other fruitful creators have set page amounts and severe timetables for themselves. Along these lines, while downgrading profitability may have worked for a few, concentrating eagerly on it has worked for some others.

I discover my counterargument genuinely compelling. The creator's contention fundamentally comprises of narrative proof. It would be compelling if the entirety of the accessible proof bolstered the focal case. However, the measure of narrative proof that doesn't bolster the case debilitates the creator's contention and reinforces my counterarguement.

Answer from: Quest

They will receive a appropriate amount

Answer from: Quest

first of all the mood needs to be defined: it is obviously a mood of deceitful relief and serenity. why? because the cape horn is one of the most violent maritime regions of earth and although it has been left behind, it is a personification of ahab’s delirium and the fact that the end of the passage speaks about it about being “hidden” but “raving” immediately conveys the feeling the calm is not permanent but fleeting.

furthermore, the oxymoron “mild stun'sails” is the first instance of such feeling as the adjective “mild” is associated with “stunned” underscoring the fleeting nature of this “tranquil” moment. and the contrasts keep piling up, with the opposition between “dark den” and “blessed light and air” to end with the final conclusion that leaves the reader with the uneasy knowledge that this is just a reprieve.

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