PART B: Which detail from the text best supports the answer to Part A? A “The Americans were responsible for liberating Buchenwald and Dachau, while British forces entered Bergen-Belsen. Although the Germans had attempted to empty the camps of surviving prisoners and hide all evidence of their crimes...” ( Paragraph 2) B “Allied troops, physicians, and relief workers tried to provide nourishment for the surviving prisoners, but many of them were too weak to digest food and could not be saved.” ( Paragraph 4) C “Soviet forces later liberate Auschwitz (January 1945), Gross-Rosen (February 1945), Sachsenhausen (April 1945), Ravensbrueck (April 1945), and Stutthof (May 1945).” ( Paragraph 6) D “On the day of liberation, an underground prisoner resistance organization seizes control of Buchenwald to prevent atrocities by the retreating camp guards.” ( Paragraph 7)

question 1: d) the old man continued, "in the long run, what people think about shepherds and bakers becomes more important for them than their own destinies.'"

question 2: d) by providing a different perspective and encouraging the englishman to never give up, the boy him to discover the alchemist.

question 3: c) the stones he gave santiago the boy to recognize omens, which will him on his journey to find his personal legend.

question 4: d) when the englishman wants to quit, santiago doesn’t allow the englishman to give up.

question 5: a) by instructing the englishman to go and try, the englishman is motivated to continue on his journey toward his personal legend.

explanation:

explanation:

dear evan hansen is a stage musical with music and lyrics by benj pasek and justin paul, and book by steven levenson.

the musical opened on broadway at the music box theatre in december 2016, after its world premiere at the arena stage in washington, d.c., in july 2015 and an off-broadway production at second stage theatre from march to may 2016.

at the 71st tony awards, it was nominated for nine awards, winning six, including best musical, best score, best actor in a musical for ben platt, and best featured actress in a musical for rachel bay jones.

zimbabwe yoboma nu

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?