Select the correct text in the passage.
In this excerpt from Robert Cormier's "The Moustache," which pair of sentences shows the main character dealing with an internal conflict?
I was about to protest-1 had never heard of a Chesterfield, for crying out loud. But I stopped. Be patient with her, my mother had said. Humor
her. Be gentle
We were interrupted by an attendant who pushed a wheeled cart into the room. Time for juices, dear," the woman said. She was the standard
forty-or fifty-year-old woman glasses, nothing hair, plump cheeks. Her manner was cheerful but a businesslike kind of cheerfulness. I'd hate to
be called "dear by someone getting paid to do it. "Orange or grape or cranberry, dear? Cranberry is good for the bones, you know
My grandmother ignored the interruption. She didn't even bother to answer, having turned away at the woman's arrival, as if angry about her
appearance,

Read the excerpt from the odyssey. then, his chores being all dispatched, he caught another brace of men to make his breakfast, and whisked away his great door slab to let his sheep go through—but he, behind, reset the stone as one would cap a quiver. the use of the epic simile in this excerpt readers understand that— they cyclops has eaten another bunch of odysseus men. odysseus and his men are still trapped inside the cave. the enormous stone is easily and routinely moved my the giant cyclops the cyclops takes his sheep out to pasture with him in the mornings

Historical fiction is concerned with depicting historical figures and events in a new light. in this excerpt from arthur conan doyle's "the contest," which two sentences most clearly describe historical elements? policles sprang readily to his feet at the challenge, and the great company making way for him to pass, he found himself a minute later standing in his unkempt garb, with his frayed and weather-beaten harp in his hand, before the expectant crowd. he stood for a moment tightening a string here and slackening another there until his chords rang true. then, amid a murmur of laughter and jeers from the roman benches immediately before him, he began to sing. he had prepared no composition, but he had trained himself to improvise, singing out of his heart for the joy of the music. he told of the land of elis, beloved of jupiter, in which they were gathered that day, of the great bare mountain slopes, of the swift shadows of the clouds, of the winding blue river, of the keen air of the uplands, of the chill of the evenings, and the beauties of earth and sky. it was all simple and childlike, but it went to the hearts of the olympians, for it spoke of the land which they knew and loved. yet when he at last dropped his hand, few of them dared to applaud, and their feeble voices were drowned by a storm of hisses and groans from his opponents. he shrank back in horror from so unusual a reception, and in an instant his blue-clad rival was in his place. if he had sung badly before, his performance now was inconceivable. his screams, his grunts, his discords, and harsh jarring cacophonies were an outrage to the very name of music.

Which of these conflicts represent external conflict