At the beginning of Chapter 21, the jury—along with Jem, Dill, and Scout—has heard the closing arguments from both sides. In his excitement, Jem inquires of his father, "We’ve won, haven’t we?" and later assumes that the jury will acquit the defendant, Tom Robinson. After a lengthy wait, however, there is a turn of events. Which of the following best assists readers in inferring that the jury will announce a unanimous guilty verdict? Scout’s dreamlike impression that matched what she knew about juries—that they never look at a defendant when they have voted to convict—gave a strong hint about the guilty verdict. The description of Atticus wiping the perspiration from his face in a previous chapter foreshadows this verdict. The reminder by Reverend Sykes that there was no record of a jury that had ever decided in favor of a colored man over a white man offers clues about the guilty verdict. Jem’s review of the evidence regarding Alabama’s laws in cases of rope, especially with women 18 and over, offers insight into the jury’s verdict.

Which of the following is a purpose for whitman's use of repetition of words and sounds in the poem? select all that apply.

What is implied in this sentence from mark twain's "the £1,000,000 bank-note"? i was puzzled, and wanted to discuss the matter a little further, but they didn't; so i took my leave, feeling hurt and insulted to be made the butt of what was apparently some kind of a practical joke, and yet obliged to put up with it, not being in circumstances to resent affronts from rich and strong folk.

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification