Select the correct text in the passage. Read the following essay. Which two sentences does the author use to inform the audience about the entire main topic of the essay? Every teenager looks forward to summer vacation. Finals are over. You can just kick back and relax. You can read whatever you want, go wherever you want, watch TV all day, or surf the Internet. The days stretch out, full of fun and laughs. Every teenager looks forward to summer vacation. Every teenager—except me. Dad would gather us around the dinner table and give us this year’s destination. We couldn’t refuse. To Dad, it was sacred family time. So we smiled and looked excited. Then we would all pile into the car. Just the four of us—dad, mom, my sister, and me—would have been somewhat bearable. But for my dad, the summer trip was not just family time, but extended family time.

Which revision fixes the dangling modifier in this sentence? while reading a new mystery book, my dog curled up in my lap and slept. a.) curled up in my lap, my dog slept while reading a new mystery book. b.) while i was reading a new mystery book, my dog curled up in my lap and slept. c.) my dog, while reading a new mystery book, curled up in my lap and slept. d.) curling up in my lap while reading a new mystery book, my dog slept.

In the poem "we wear the mask," paul laurence dunbar voices his repressed anger and frustration toward american society. he repeats the title phrase three times in the poem, using the words mask and we to show that the first use of the phrase is matter-of-fact. in the second stanza, the statement is followed by a period, which shows resignation. however, at the end of the poem, dunbar almost shouts the phrase defiantly. the mask seems to become something he wears proudly. through this gradual emphasis on the phrase, dunbar could be implying that

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.