Which of these excerpts from “Hell-Heaven” by Jhumpa Lahiri most clearly celebrates cultural diversity? Pranab Kaku listened to these stories with interest, absorbing the vanishing details of her past. He did not turn a deaf ear to her nostalgia, like my father, or listen uncomprehendingly, like me. At Walden Pond, Pranab Kaku would coax my mother through the woods, and lead her down the steep slope to the water's edge. She would unpack the picnic things and sit and watch us as we swam. I remember vividly the sound of his exuberant laughter and the sight of his lanky body slouched or sprawled on the dull, mismatched furniture that had come with our apartment. He had a striking face, with a high forehead and a thick mustache, and overgrown, untamed hair that my mother said made him look like the American hippies who were everywhere in those days. He was from a wealthy family in Calcutta and had never had to do so much as pour himself a glass of water before moving to America, to study engineering at MIT. Life as a graduate student in Boston was a cruel shock, and in his first month he lost nearly twenty pounds. The answer to his question was clear, given that my mother was wearing the red and white bangles unique to Bengali married women, and a common Tangail sari, and had a thick stem of vermillion powder in the center parting of her hair, and the full round face and large dark eyes that are so typical of Bengali women.

Frequently the subject of blues songs has to do with some challenge or problem faced by the writer. everyone faces personal challenges. sometimes music us deal with these problems. do you know of times when music has you or people that you know cope with difficult situations? think about your life experiences and challenges or the experiences of someone you know. then write your own twelve-bar blues song that describes one such experience that you or another person has had. your blues song should have three verses. you may write a fourth verse for extra credit. each verse you write should have three phases and should be written in call-and-response form. the first two phases of each verse should describe the experience, challenge, or problem and should act as your “call” phrases. the third phrase should describe the solution to your challenge or problem, or the next step in your story, and should act as your “response” phrase. review “sneaker blues” to see an example of a call-and-response song with three verses. “sneaker blues” my sneakers got a hole and my feet are killing me; my sneakers got a hole and my feet are killing me; i’m gonna get my sneakers fixed just you wait and see. the man said twenty dollars; you have got to be kidding me; the man said twenty dollars; you have got to be kidding me; twenty dollars is what he said, i might have to let them be. the hole in my sneakers is getting bigger every day; the hole in my sneakers is getting bigger every day; twenty dollars is what he said, that’s what i’ll have to pay. write your song title and verses as the answers to the questions. after you have written your song, try putting it to music using one of the online music samples. original twelve-bar blues song (2 points) score 1. title(6 points) score 2. verse 1line 1: line 2: line 3: (6 points) score 3. verse 2 line 1: line 2: line 3: (6 points) score 4. verse 3 line 1: line 2: line 3: