At the end of Chapter 2, Krakauer says of McCandless, Driving west out of Atlanta, he intended to invent an utterly new life for himself, one in which he would be free to wallow in unfiltered experience. To symbolize the complete severance from his previous life, he even adopted a new name. No
longer would he answer to Chris McCandless; he was now Alexander Supertramp, master of his own destiny. (23)

These are some pretty strong assertions about what McCandless was trying to do. Do you believe them at this point? Has Krakauer supported these conclusions about McCandless? What are some of the evidence he presents?

“a truly free man will exercise his american right to drive whatever kind of car he wants.” what is the fallacy type and why?

Which phrases from the text contain words with strong connotations that describe the violence in honduras? check all that apply.

Dylan is of course enormously influential. springsteen, who referred to him as “the father of my country” in his new born to run memoir, is one of many who were once known as “new dylans.” every singer-songwriter with a personal story to tell owes him a debt, and hearing the above lines read or sung aloud, with their knack for internal rhyme, call up inevitable parallels to the dense playful language of rap. –“dylan's nobel prize settles debate: rock lyrics are poetry,” dan deluca which piece of evidence supports the claim that dylan’s rock lyrics are like poetry? he is enormously influential. his lyrics feature internal rhyme. singer-songwriters owe him a debt. someone called him “the father of my country.”