Who says the following and why? "You see, we're all savages, more or less. We're supposed to be civilized and cultured—to know all about poetry and philosophy and art and science, and so on; but how many of us know even the meanings of these names? [To Miss Hill] What do you know of poetry? [To Mrs. Hill] What do you know of science? [Indicating Freddy] What does he know of art or science or anything else? What the devil do you imagine I know of philosophy?"

1) Liza is mildly embarrassing herself in her meeting with Mrs. Higgins and the Hills.
2) Mrs. Higgins is trying to reel the conversation in after Higgins has worked everybody up.
3) Higgins is explaining why saying what one really feels is a very bad idea.
4) Higgins has become infuriated at Freddy and is taking it out on the whole party.

it is an infinitive phrase with a subject.

d. therefore pilots wisely train these cubs by various strategic tricks to look danger in the face a little more calmly.

c or d they are the same

the reason that neiterkob's daughter most likely tell the beginnings of the maasai is : to explain the readers the origin of maasai culture

with this explanation, the reader will grasp a better concept about it and not lost in the middle of reading.

                                            (hope this )

first of all the mood needs to be defined: it is obviously a mood of deceitful relief and serenity. why? because the cape horn is one of the most violent maritime regions of earth and although it has been left behind, it is a personification of ahab’s delirium and the fact that the end of the passage speaks about it about being “hidden” but “raving” immediately conveys the feeling the calm is not permanent but fleeting.

furthermore, the oxymoron “mild stun'sails” is the first instance of such feeling as the adjective “mild” is associated with “stunned” underscoring the fleeting nature of this “tranquil” moment. and the contrasts keep piling up, with the opposition between “dark den” and “blessed light and air” to end with the final conclusion that leaves the reader with the uneasy knowledge that this is just a reprieve.