Ich liebe jemanden so sehr aber ich bin unentschlossen was ich tun soll

c. misogyny

is your answer.

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

vey information about pap? physical description beliefs actions interactions

answer: age of the protagonists.

dubliners is a collection of fifteen short stories by james joyce, published in 1914. they tell the stories of the irish middle class in and around dublin in the early years of the 20th century.

joyce divides the collection into three sections dealing with childhood, adolescence and maturity. therefore, one pattern he uses to organize his stories is the age of the protagonists. the initial stories deal with children, and as the stories continue, they focus on progressively older people.