Summarize what slavery was like based on these lines. One such who could was an old man, call him Toby. And
standing tall, yet afraid, was a young woman who once had
wings. Call her Sarah. Now Sarah carried a babe tied to her
back. She trembled to be so hard worked and scorned.
The slaves labored in the fields from sunup to sundown.
The owner of the slaves calling himself their Master. Say he
was a hard lump of clay. A hard, glint coal. A hard rock pile,
wouldn’t be moved. His Overseer[1] on horseback pointed out
the slaves who were slowing down. So the one called Driver
cracked his whip over the slow ones to make them move
faster. That whip was a slice-open cut of pain. So they did
move faster. Had to.

Which three parts of this passage from chapter 6 of emily brontë's wuthering heights show that hindley earnshaw did not care about the well-being of catherine and heathcliff after the death of mr. earnshaw? they both promised fair to grow up as rude as savages; the young master being entirely negligent how they behaved, and what they did, so they kept clear of him. he would not even have seen after their going to church on sundays, only joseph and the curate reprimanded his carelessness when they absented themselves; and that reminded him to order heathcliff a flogging, and catherine a fast from dinner or supper. but it was one of their chief amusements to run away to the moors in the morning and remain there all day, and the after punishment grew a mere thing to laugh at. the curate might set as many chapters as he for catherine to get by heart, and joseph might thrash heathcliff till his arm ached; they forgot everything the minute they were together again: at least the minute they had contrived some naughty plan of revenge; and many a time i’ve cried to myself to watch them growing more reckless daily, and i not daring to speak a syllable, for fear of losing the small power i still retained over the unfriended creatures. one sunday evening, it chanced that they were banished from the sitting-room, for making a noise, or a light offence of the kind; and when i went to call them to supper, i could discover them nowhere. we searched the house, above and below, and the yard and stables; they were invisible: and, at last, hindley in a passion told us to bolt the doors, and swore nobody should let them in that night. the household went to bed; and i, too, anxious to lie down, opened my lattice and put my head out to hearken, though it rained: determined to admit them in spite of the prohibition, should they return.

In the poem "we wear the mask," paul laurence dunbar voices his repressed anger and frustration toward american society. he repeats the title phrase three times in the poem, using the words mask and we to show that the first use of the phrase is matter-of-fact. in the second stanza, the statement is followed by a period, which shows resignation. however, at the end of the poem, dunbar almost shouts the phrase defiantly. the mask seems to become something he wears proudly. through this gradual emphasis on the phrase, dunbar could be implying that

1. in the bold portion of the narrative, the author tries to use a flashback to develop tension. however, the flashback does not create tension. rewrite the flashback scene so it develops tension right at the beginning of the story. (15 points)