Which excerpt from "The Masque of the Red Death" best shows Prince Prospero's self-centeredness? O It was in the eastern or blue chamber in which stood the Prince Prospero as he uttered these words. They rang
throughout the seven rooms loudly and clearly, for the prince was a bold and robust man, and the music had become
hushed at the waving of his hand.
O It was then, however, that the Prince Prospero, maddening with rage and the shame of his own momentary
cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had
seized upon all.
O When the eyes of the Prince Prospero fell upon this spectral image (which, with a slow and solemn movement, as it
more fully to sustain its role, stalked to and from among the waltzers) he was seen to be convulsed, in the first
moment with a strong shudder either of terror or distaste; but, in the next, his brow reddened with rage.
O But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he
summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court,
and with these retired to the deep seclusion of one of his castellated abbeys.

thtahth hg nd d

explanation:

gfdhj rs tyh6r h ts eqagdas   d dy d   w 5js   tydtrs tfs4gtehtyhh

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation:

word count 168

serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.